Guangdong Tech Co., Ltd.
5 1

PreSonus StudioLive 32.4.2AI Digital Mixer

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Guangdong Tech Co., Ltd.
[China]

Address
No. 163, Donghuan Road, Shiqiao, Panyu District, Guangzhou, Guangdong Guangzhou Guangdong
Phone
86-020-39960765
Contact name
Simon Peng

Quick Information

  • Place of Origin: China

Description

SPECIFICATIONS

Mac
Mac OS X 10.7.2 or later
Intel Core Duo processor (Intel Core 2 Duo or Core i3 or better recommended)
2 GB RAM (4 GB or more recommended)

Windows
Windows 7 x64/x86 SP1, Windows 8 x64/x86
Intel Core Duo or AMD Athlon X2 processor (Intel Core 2 Duo or AMD Athlon X4 or better recommended)
2 GB RAM (4 GB or more recommended)

Mac and Windows Systems
FireWire S800 (IEEE 1394b) port
Internet connection recommended
DVD-ROM drive
Internal or external 7200 RPM storage drive highly recommended
Monitor with 1024x768 resolution

The minimum system requirements may differ for DAWs other than Studio One. Please check the requirements for your DAW of choice with its manufacturer.

Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio or MIDI signals. Monitor resolution for both PC and Mac should be no lower than 1024x768 pixels.

33 mic high-headroom Class A XMAX mic preamplifiers (32 channels plus Talkback)
32 balanced TRS line inputs
4 subgroups
Stereo/mono main out
14 auxiliary mixes
48-in/34-out FireWire S800 digital recording interface (24-bit/44.1 kHz and 48 kHz)
Studio One Artist Digital Audio Workstation software for Mac and Windows
Capture 2.0 recording software for Mac and Windows
StudioLive Remote-AI mixer-control software for iPad available free from
QMix-AI aux-control software for and iPod touch available free from
Direct recording interface compatible with Logic, Nuendo, Cubase, Sonar, Digital Performer, Ableton Live, and more
60 channel strips
Trim control with -20 to +20 dBV line/-15 to +65 dBu mic gain range (80dB!)
+48V phantom power switch for condenser microphones
Digital Audio Input Select
100 mm precision faders
Lighted Solo and Mute buttons
6 mute groups with All On/All Off switches
Access to Fat Channel functions
15-LED ladder metering + clip LED
Analog ¼" insert (rear panel)
4 subgroup buses, each with:
Solo
Mute
Access to Fat Channel functions (except high-pass filter and phase reverse)
14 aux sends, each with
Solo
Mute
Pre/post-fader send
Output-level control
Access to Fat Channel functions (except phase reverse)
Mix and Mix/Pan Fat Channel value displays
Available sources: 32 input channels, Aux In A and B, Tape Input, Main digital-audio return, FXA, FXB, FXC, FXD, Talkback
4 internal effects sends (two reverbs, two delay effects), each with:
Mute
Pre/post-fader send
Output-level control
Access to Fat Channel (except phase reverse)
Effects-send Select for Fat Channel metering
Mix button for aux-bus mixing and Fat Channel value displays
Master Section
Aux Input A and B
Level Control and Select (Fat Channel metering) switch
Access to all Fat Channel functions (except phase reverse)
Talkback System
Mic Level control
Output Select (Aux 1-2, 3-8, 9-14, Main)
Talk button
Rear-panel XLR mic input with trim control and continuous 48V phantom power
2 Track In
Level control
Tape Input to Mains button
Main Digital Audio Return on/off
Solo Bus
Cue Mix volume control
PFL/AFL and Solo In Place (SIP) buttons
Latch, Radio, and CR Modes
Monitor Bus
Headphone-output level control
Control-room monitor-level control
Solo Bus to Monitor button
Tape Input to Monitor button
Main Digital Audio Return to Monitor button
Main Mix to Monitor button
Fat Channel with rotary encoders:
Pan with dedicated 15-LED display
Stereo link for input channels, aux buses, and subgroups
Phase reverse (main channels only)
High-pass filter: -6 dB/oct., sweepable from Off to 1 kHz (main channels and aux's only)
Gate: Threshold: 0 to -84 dB; Attack: 0.02 to 500 ms; Release: 0.05 to 2 sec; Bandpass Key Filter: 40 Hz to 16 kHz; second-order resonant bandpass filter Q (0.7) with Key Listen function
Compressor: Threshold -56 to 0 dB; Ratio 1:1 to 14:1, LIM=ˆž:1; Attack 0.2 to 150 ms; Release 2.5 to 900 ms; Makeup Gain 0 to 28 dB; Soft Knee switch; Auto Mode with 10 ms Attack and 150 ms Release
4-band fully parametric equalizer
Low EQ: sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peaking
Low Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB, variable Q 0.1 to 4.0
High Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB, variable Q 0.1 to 4.0
High EQ: sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peaking
Master EQ On/Off button
Limiter: variable Threshold -28 dBfs to 0, ˆž:1 Ratio
Alt EQ & Dyn button for quick A/B comparisons of two complete sets of Fat Channel settings for each channel and busOutput Assign: 4 subgroups and main
All settings can be copied among channels and buses and can be saved as user presets.
50 channel-strip presets for drums, bass, guitars, keyboards, and vocals
4 internal digital effects-processors (2 reverbs, 2 delays), each with 50 customizable presets
16 31-band graphic equalizers
Assignable to each aux bus and the Main bus
Scene Store and Recall
Global Scene Storage: all current StudioLive settings
Up to 80 at a time
6 Quick Scene buttons for instant Scene save/recall”like "speed dial" for Scenes
Automatic Global AutoStore
Customizable naming (for example, "Saturday Gig" or "Main Worship Service")
Individual channel-strip setting storage
Up to 48 at a time, plus¦
50 factory presets for instruments and vocal
Copy and Paste between channels
Can be browsed by category (DRM, VOX, HRN, GTR, BAS, MISC, SYS)
Lockout mode to keep inspired amateurs from changing your settings
Metering/Displays
24 x 16- LED Fat Channel matrix:
Pre-dynamics/pre-fader input
Post-dynamics/post-fader output
Gain reduction
Aux 1-14 and EFX A-D output
Fader-position recall
8 x 15-LED main meter bank
Selected channel level
Selected channel gain reduction
Sub buses 1 to 4
Main stereo outputs
15-LED horizontal Pan/Balance display
64 x 194 LCD matrix
Effects parameters
Scene creation, storage, and recall
System menus
Channel Info page with custom naming
GEQ Select
2-digit Channel Selected display
Input/Output
32 main inputs, each with XLR mic, ¼" line, and ¼" inserts
2 ¼" balanced stereo (L/R) aux inputs
1 XLR talkback-mic input with XMAX preamp, phantom power (always on), and level control
Unbalanced RCA stereo (L/R) tape inputs and outputs
XLR stereo (L/R) main outputs with level control
¼" balanced stereo (L/R) main outputs
XLR mono output with level control
¼" balanced stereo (L/R) control-room outputs
¼" headphone output
4 ¼" balanced subgroup outputs
14 ¼" balanced aux outputs
32 pre-insert, balanced direct outputs, Ch. 1-8, 9-16, 17-24, 25-32 (DB25 sockets)
Dedicated USB 2.0 port and included Wi-Fi LAN adapter for wireless communications
Installed Option Card with:
S/PDIF digital out
2 FireWire S800 ports
Optional I/O cards
Thunderbolt-FireWire S800-S/PDIF Out
Ethernet/Dante-FireWire S800-S/PDIF Out
Digitalia
High-definition analog-to-digital converters (118 dB dynamic range)
Unlimited-headroom, 32-bit floating point, digital mixing and effects processing
Internal sample frequency 44.1 kHz and 48 kHz
Physical
Rugged, non-flex steel chassis
100 mm long-throw faders
Military-grade, quick-touch buttons
BNC 12V lamp socket
Optional dust covers available


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